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 he exhibition has been produced as if it were a stage performance.
 n total blackout, over a hundred spotlights draw the photographs out of the darkness, and give them an extraordinary intensity.
he visitor goes from one to the other, as if he were moving "inside" the work whose every aspect is unfurled on the panels surrounding him.
he emotional strength of the photographs thus exalted and "dramatised", and the way in which the visitor can move around on the inside of a statue which seems to contain the whole universe of human emotions, bring to like a "presence" which cannot be better expressed than in this simple phrase left in the visitor's book: "You would almost believe that the young woman is still alive, four centuries later...".
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